Soulgrind's 'Ad Pulchram Mortem' is a fascinating journey through the evolution of a band that has weathered the storm of time and musical trends. With a 16-year gap between releases, the album showcases a unique blend of old and new, a testament to the band's resilience and artistic growth. The review delves into the band's transformation from a raw, gothic act to a more melodic and cohesive sound, influenced by the introduction of vocalist Tanya Lilith and keyboardist Azhemin.
The album's strength lies in its ability to balance the band's past and present. The gothic touches, reminiscent of Hanging Garden and Sojourner, are seamlessly woven into the thrash and death/doom elements, creating a unique and captivating sound. The deep, grizzled growls of Azhemin and the melodic, emotionally charged cleans of Lilith form a dynamic duo, showcasing the band's versatility and passion. The album's highlight, 'Into the Shadows of Devotion', is a jaw-dropping display of the band's artistic prowess and emotional depth.
However, the review also points out some inconsistencies in the album's structure and length. The mid-album track, 'In the Circus of Tuonela', is described as a miss, lacking memorable hooks and feeling out of place. The album's overall length, at 65 minutes, is also noted as a potential issue, with the band's usual 45-minute records feeling more cohesive. Despite these minor flaws, the album is a testament to the band's artistic vision and their ability to create a unique and captivating musical experience.
In my opinion, Soulgrind has achieved a remarkable balance between their past and present, creating an album that is both familiar and fresh. The band's evolution is a testament to their artistic growth and their ability to adapt to the ever-changing music landscape. As a fan of melodic and gothic metal, I found 'Ad Pulchram Mortem' to be a captivating and emotional journey, leaving me eager for more from this talented band.
